Bramayugam will be remembered for the exceptional performance of Mammootty, who time and again, has proven he is unstoppable.
Riptide presents a promising vision and resourcefulness in storytelling that encourages audiences to embrace diversity and celebrate the richness of human experience.
Perfect Days gracefully imparts the insight that life's trajectory is simple—it merely exists, no more and no less.
I Saw the TV glow is a titanic achievement in indie filmmaking that could be a sign of what’s to come in this new and exciting generation of horror, shepherded by Jane Shoenbrun, who has established themselves as a major talent.
Reinas is a personal, small-scale story told in the shadow of world-altering events, a perfect environment in which characters can be explored and developed.
Girls Will be Girls takes us on a delicate journey of self-discovery for a teenage girl as she aligns herself with the symphony of growth, understanding, and shared experiences.
Malaikottai Vaaliban, without any doubt, is the weakest film of Lijo Jose Pellissery. It conspicuously invested in imagery to forego depth and direction, a rare oversight from its auteur filmmaker.
Jonathan Glazer’s latest film, The Zone of Interest, is a haunting trip into the darkest days of human history with an intense examination of Rudolf Höss.
The Promised Land maintains an emotional tone without succumbing to oversentimentality that strikes a human chord while recounting a tale of grit, courage, and the inevitable price that accompanies such resilience.
With Raghavan's discerning eye and flawless stylistic incorporation, Merry Christmas encapsulates an unforeseen romance amidst secrecy and yearning.