At its heart, Where the Wind Comes From is a celebration of freedom—the freedom of the open road, the freedom of connection with loved ones, and the freedom of uninhibited existence.
The slow-moving pace and lack of a complex, intricate plot, enables the film to attain a clarity and simplicity that is both gentle and deeply humane.
Santosh is crafted with control and clarity, offering a raw depiction of the struggles faced by the marginalized.
Appuram is a work of visceral emotions and gentle notions, a portrait of faith in all its power, strangeness, and cruelty.
Though Despatch is an investigative crime drama, the scenes involving family dynamics truly elevate the film, bringing a powerful emotional resonance to the narrative.
‘Freedom’ Review: Lucas Bravo’s Charming Performance Leads Mélanie Laurent’s Well-Shot But Surface-Level Exploits of Bruno Sulak.
The true-crime drama of the notorious French criminal Bruno Sulak is given a rather straightforward screen treatment.
The Shadow Strays presents another tale of heightened reality and confrontations that fall victim to stylized filmmaking.
CTRL holds a mirror to us all, challenging us to confront the troubling aspects of our internet personas and how those identities can become fragmented, distorted, and even impossible to decipher in the digital haze.
‘All We Imagine As Light’ Review: Three Women Beneath the Blue Monsoon Skies of Mumbai
Kapadia paints the world around the characters with pure observation, a subtlety that makes 'All We Imagine as Light' progressively more captivating.
Despite the filmmaker's intentions to create a rich and thought-provoking narrative, Berlin ultimately falls short of its aspirations.