L2: Empuraan is unmistakably a film made for unapologetic Mohanlal fans as it milks almost every bit of nostalgia associated with the yesteryear Mohanlal swag.
Humans in the Loop stands out as an exception: a film that critically challenges the biases of systemic society, illuminating its flaws and lingering in the mind long after the credits roll.
Baksho Bondi is a stark, socially conscious lament for a figure deeply embedded in the fabric of Indian life: the self-effacing mother and wife.
Set against the tumultuous backdrop of Mahsa Amini’s controversial death, Mohammad Rasoulof subtly reflects the real-life case with the harrowing story of a family imploding
inside out.
Inspired by true events, Magnum von Horn’s deliberate slow-burn blends the somber horrors of a woman’s impoverishment and the baby-killing case during post-World War I Denmark.
The Mehta Boys is one of those films that prioritizes emotional truth over narrative novelty. In doing so, it crafts a quietly affecting viewing experience.
It's refreshing when an Indian film dares to challenge conventional folklore in cinema and breathe new life into familiar narrative tropes.
DJ Ahmet tells a story of first love, burgeoning nonconformity, and the enduring power of human connection.
The Virgin of the Quarry Lake commands our attention and leaves us with an ending that lingers long after the credits have rolled.
The documentary film Khartoum examines the plights of the five participating exiled Sudanese citizens as they relive their respective stories before, during, and after the war that changed their lives forever.