After taking a sharp detour into directing the biographical sports drama Air for a change, actor-director Ben Affleck returns to his familiar comfort zone in helming a political crime thriller with mixed results.
David Ayer trades his usual narrative-heavy filmmaking for a stripped-down tale of a man and a dog surviving the brutal Alaskan wilderness, with mostly successful results.
After six movies starring Milla Jovovich and an ill-fated Johannes Roberts-directed reboot, it finally took Zach Cregger to get it right.
Eschewing the typically big-budget Hollywood blockbuster route associated with such a movie, Ridley Scott’s latest directorial effort prioritizes a deliberate slow-burn for a change.
Instead of a go-big-or-go-home approach in the traditional blockbuster sequel formula, Destin Daniel Cretton opts for more personal stakes in this latest Spider-Man movie.
Writer-director Christopher Nolan takes Homer’s Odyssey poem and turns it into a cinematic marvel that combines visceral ancient fantasy and horror-movie tropes with intimate character-driven drama.
Forty-two years after the dismal 1984 version of Supergirl crash-landed both critically and financially, this all-new revisionist take on the Girl of Steel boasts Milly Alcock’s great performance, but the movie itself sputters.
Steven Spielberg’s highly anticipated return to the sci-fi genre showcases some of his best works.
After decades of development hell, Amazon MGM Studios spent big on reviving one of Mattel’s IPs and… largely faltered.
Three seasons later, The Mandalorian series is given a big-screen treatment, marking the first Star Wars movie in seven years.