Bad Apples is a delicious dark comedy that turns an outrageous situation into something surprisingly thought-provoking.
Eschewing the typically big-budget Hollywood blockbuster route associated with such a movie, Ridley Scott’s latest directorial effort prioritizes a deliberate slow-burn for a change.
Beyond the occasional visual and tonal missteps, a handful of narrative snags prevent The End of Oak Street from reaching its full potential.
Instead of a go-big-or-go-home approach in the traditional blockbuster sequel formula, Destin Daniel Cretton opts for more personal stakes in this latest Spider-Man movie.
Writer-director Christopher Nolan takes Homer’s Odyssey poem and turns it into a cinematic marvel that combines visceral ancient fantasy and horror-movie tropes with intimate character-driven drama.
The film teeters on the edge of boring as the audience watch something play out that’s familiar, losing all its magic and heart along the way.
Forty-two years after the dismal 1984 version of Supergirl crash-landed both critically and financially, this all-new revisionist take on the Girl of Steel boasts Milly Alcock’s great performance, but the movie itself sputters.
Steven Spielberg’s highly anticipated return to the sci-fi genre showcases some of his best works.
Mollywood Times had the potential to be a sharp industry takedown, but it crumbles under the weight of its own ambitions midway through, leaving Naslen's decent performance as its only takeaway.
After decades of development hell, Amazon MGM Studios spent big on reviving one of Mattel’s IPs and… largely faltered.