Kho Gaye Hum Kahan serves up a substantial narrative feast, but it falls short of attaining satisfying coherence, leaving untapped potential in its wake.
The real beauty of the film lies in the extremely rich visuals; the superb camera-work and the typical Wongish blend of music with the striking visuals.
Though Salaar is a technical triumph, a notable deficiency lies in the emotional trajectory of the protagonist, which doesn't quite reach the depth achieved by Rocky in the KGF.
The story is about Taapsee Pannu's character but somehow SRK is in the limelight throughout the film mainly due to a weak script.
Neru, as a movie, doesn’t invent anything new. It feels like a safe bet.
Inside the Yellow Cocoon Shell portrays Vietnam like we have never seen before as a character in a film that is visually beautiful, mysterious and awe inspiring in its cinematic experience.
'Agra' bravely confronts audiences with uncomfortable truths, pushing boundaries, and challenging societal norms.
Sidney Lumet shows in this movie that he was still at the top of his game at the age of eighty-three.
Set on the fringes of the cut-throat corporate world, it takes us deep into the interiors of the rundown sales office, across the street from the Chinese restaurant.
The Assassination of Jesse James by the Coward Robert Ford is an entertaining version of a Terrence Malick movie and a must watch for any cinema lover.