Netflix’s mega-budget sci-fi blockbuster wannabe wasted the charismatic talents of Millie Bobby Brown and Chris Pratt.
Humans in the Loop stands out as an exception: a film that critically challenges the biases of systemic society, illuminating its flaws and lingering in the mind long after the credits roll.
Bong Joon-Ho’s long-awaited (and long-delayed) follow-up to Parasite is a familiar, though not entirely successful blend of dark satire and farcical humor.
Moving away from the usual somber horror fares, Osgood Perkins’s fifth directorial effort sees the writer-director dipping his toes into the horror-comedy genre with mixed results.
Baksho Bondi is a stark, socially conscious lament for a figure deeply embedded in the fabric of Indian life: the self-effacing mother and wife.
Cleaner is a functional action-thriller that meets the genre's basic requirements without ever truly standing out.
The storyline is a little bit hit or miss here, which prevents Brave New World from being one of the stronger Captain America flicks.
The Gorge may not be a revolution in this genre blend, but it stands out for its stylish execution, imaginative creature design, and the engaging chemistry between its leads.
Bridget Jones: Mad About the Boy works well as a strong ending to the franchise, a poignant exploration of grief and a funny, charming way to spend two hours.
Set against the tumultuous backdrop of Mahsa Amini’s controversial death, Mohammad Rasoulof subtly reflects the real-life case with the harrowing story of a family imploding
inside out.