Though Juror #2 is not the most memorable effort from Clint Eastwood, it is a solid entry into his filmography.
Venom: The Last Dance is structurally clumsy, introducing new characters halfway through its runtime and, as a result, making the story overly packed and frustratingly sluggish.
âDonât Moveâ Review: A Decent Sam Raimi-Produced High-Concept Horror-Thriller Featuring Kelsey Asbille and Finn Wittrockâs Solid Performances
Grief and paralysis take center stage in this cat-and-mouse thrill of survival between an immobile, helpless protagonist and an unhinged serial killer.
The Shadow Strays presents another tale of heightened reality and confrontations that fall victim to stylized filmmaking.
The performances in Queer are transformative, the cinematography is consistently stunning and the exploration of its poignant themes is second to none.
We Live in Time beautifully tells its story through the use of a fantastic non-linear narrative, emotion-fueled performances and thorough theme exploration.
âWoman of the Hourâ Review: Anna Kendrickâs Directorial Debut Shows Her Immense Talent in Escalating Dread and Suspense
This true-crime thriller highlights womenâs empowerment not only from the perspective of Anna Kendrickâs Cheryl Bradshaw but also from other women involved in overcoming fear and misogyny.
The Apprentice is a biopic that challenges us to reflect on the choices we make every day and just how far we're willing to go to achieve our dreams.
Saturday Night successfully captures the frenetic energy and spontaneous magic of the behind-the-scenes world of SNL, transporting us to the heart of the organized chaos of a live broadcast.
Joker: Folie Ă Deux holds immense technical and artistic merit, but it fails to replicate the success and impact of the original.