Riptide presents a promising vision and resourcefulness in storytelling that encourages audiences to embrace diversity and celebrate the richness of human experience.
Perfect Days gracefully imparts the insight that life's trajectory is simple—it merely exists, no more and no less.
I Saw the TV glow is a titanic achievement in indie filmmaking that could be a sign of what’s to come in this new and exciting generation of horror, shepherded by Jane Shoenbrun, who has established themselves as a major talent.
Molly Manning Walker truly puts herself on the map with this one, proving she's one to watch with a thought-provoking and vital piece of cinema.
Anatomy of a Fall decisively diverges from anticipated conventions of procedural and courtroom dramas, embracing a detached style that is distinctive and refreshing.
With captivating 2D and 3D animation, coupled with motion capture, Schirkoa becomes a visually compelling satire, depicting life under the firm grip of an authoritarian regime.
The Tiger's Apprentice remains shallow, a casualty of the breakneck pacing that constitutes the film's major problem.
Argylle emerges as a pleasant surprise this new year, blending absurdity with sophistication to create a truly memorable cinematic experience.
Reinas is a personal, small-scale story told in the shadow of world-altering events, a perfect environment in which characters can be explored and developed.
Girls Will be Girls takes us on a delicate journey of self-discovery for a teenage girl as she aligns herself with the symphony of growth, understanding, and shared experiences.