In the end, Patriot is a film with ambition but little control.
‘The Devil Wears Prada 2’ Review: Anne Hathaway and Meryl Streep Return in a Worthy Sequel Blending Nostalgia and Modernity
In what could have been easily a nostalgic cash-grab of a sequel, returning writer Aline Brosh McKenna and director David Frankel deliver a better-than-expected follow-up that evolves with the times while maintaining the charm of the 2006 original.
The long-awaited Michael Jackson biopic treads familiar ground but still emerges as one of the most entertaining biopics ever made.
With insane body horror, a gnarly third act and incredibly entertaining scares, Lee Cronin’s The Mummy is a more than competent horror flick.
Thanks to Midhun’s unnecessary flourish, it ends up feeling like an unfinished film when it definitely deserved a better ending.
‘Peaky Blinders: The Immortal Man’ Review: It’s Far from the Best, But Cillian Murphy Still Rules in This Feature-Length Culmination of Tommy Shelby’s Story
The long-awaited movie follow-up brings Cillian Murphy’s Tommy Shelby’s arc to a competent end.
Ready or Not 2 can easily be summed up as ‘more of the same’, though the final product isn’t as slick and surprising as the first instalment was.
Project Hail Mary is not only the best film 2026 has to offer so far, but may be one of the most impressive science fiction outings we’ve had this decade.
‘War Machine’ Review: It’s Man vs. Machine in Netflix’s Disposable But Visceral Sci-Fi Action Thriller
A no-nonsense Alan Ritchson leads Patrick Hughes’ military action and sci-fi thriller combo.
‘The Bride!’ Review: Jessie Buckley’s Unhinged Performance Comes Undone in Maggie Gyllenhaal’s Bold But Uneven Gothic Romance
Maggie Gyllenhaal goes for a radical take on the Bride of Frankenstein story but comes up short.