We Live in Time beautifully tells its story through the use of a fantastic non-linear narrative, emotion-fueled performances and thorough theme exploration.
‘Woman of the Hour’ Review: Anna Kendrick’s Directorial Debut Shows Her Immense Talent in Escalating Dread and Suspense
by Casey Chong
This true-crime thriller highlights women’s empowerment not only from the perspective of Anna Kendrick’s Cheryl Bradshaw but also from other women involved in overcoming fear and misogyny.
The Apprentice is a biopic that challenges us to reflect on the choices we make every day and just how far we're willing to go to achieve our dreams.
Saturday Night successfully captures the frenetic energy and spontaneous magic of the behind-the-scenes world of SNL, transporting us to the heart of the organized chaos of a live broadcast.
Joker: Folie à Deux holds immense technical and artistic merit, but it fails to replicate the success and impact of the original.
CTRL holds a mirror to us all, challenging us to confront the troubling aspects of our internet personas and how those identities can become fragmented, distorted, and even impossible to decipher in the digital haze.
A whirlwind of insane ideas, admirable creativity and complex themes, Megalopolis is bound to divide audiences due to tackling too much.
‘All We Imagine As Light’ Review: Three Women Beneath the Blue Monsoon Skies of Mumbai
by Neil Madhav
Kapadia paints the world around the characters with pure observation, a subtlety that makes 'All We Imagine as Light' progressively more captivating.
Speak No Evil may not reach the visceral depth of the Danish original, but it offers a more accessible, commercially appealing approach.
Despite the filmmaker's intentions to create a rich and thought-provoking narrative, Berlin ultimately falls short of its aspirations.