The long-awaited movie follow-up brings Cillian Murphy’s Tommy Shelby’s arc to a competent end.
Ready or Not 2 can easily be summed up as ‘more of the same’, though the final product isn’t as slick and surprising as the first instalment was.
Project Hail Mary is not only the best film 2026 has to offer so far, but may be one of the most impressive science fiction outings we’ve had this decade.
A no-nonsense Alan Ritchson leads Patrick Hughes’ military action and sci-fi thriller combo.
Maggie Gyllenhaal goes for a radical take on the Bride of Frankenstein story but comes up short.
Director Andrew Stanton’s second foray into a live-action feature has once again failed to recapture the same moviemaking magic seen in his superior Pixar animated features.
Set against the procedural urgency of the adults who surround her, a little girl’s search for reassurance becomes an ordeal in itself.
Óliver Laxe’s directorial control denies comfort and bends both characters and viewers to ordeals that feel less staged than inescapable.
Crime 101 tells a very familiar story, but proves that things that aren’t broken don’t need to be fixed.
Writer-director Emerald Fennell magnifies the themes of sex, obsession and destructive love in this passionate but surprisingly hollow romantic drama.