Three seasons later, The Mandalorian series is given a big-screen treatment, marking the first Star Wars movie in seven years.
Guy Ritchie reunites with Henry Cavill, Jake Gyllenhaal, and Eiza González in this deliberately dialogue-driven but engrossing action thriller.
Bayaar is an austere and haunting meditation on guilt, memory and spiritual reckoning that confronts the uneasy weight of self-judgment with quiet conviction.
With a misguided story that lacks both stakes and an obvious through-line due to an onslaught of new characters, Mortal Kombat II feels less focused than its predecessor and therefore a lot messier.
In the end, Patriot is a film with ambition but little control.
In what could have been easily a nostalgic cash-grab of a sequel, returning writer Aline Brosh McKenna and director David Frankel deliver a better-than-expected follow-up that evolves with the times while maintaining the charm of the 2006 original.
The long-awaited Michael Jackson biopic treads familiar ground but still emerges as one of the most entertaining biopics ever made.
With insane body horror, a gnarly third act and incredibly entertaining scares, Lee Cronin’s The Mummy is a more than competent horror flick.
Thanks to Midhun’s unnecessary flourish, it ends up feeling like an unfinished film when it definitely deserved a better ending.
The long-awaited movie follow-up brings Cillian Murphy’s Tommy Shelby’s arc to a competent end.