Forty-two years after the dismal 1984 version of Supergirl crash-landed both critically and financially, this all-new revisionist take on the Girl of Steel boasts Milly Alcock’s great performance, but the movie itself sputters.
Steven Spielberg’s highly anticipated return to the sci-fi genre showcases some of his best works.
Mollywood Times had the potential to be a sharp industry takedown, but it crumbles under the weight of its own ambitions midway through, leaving Naslen's decent performance as its only takeaway.
After decades of development hell, Amazon MGM Studios spent big on reviving one of Mattel’s IPs and… largely faltered.
With fantastic production design, expertly crafted horror and two noteworthy leading performances, Backrooms is a triumph for Parsons and another win for A24.
With such a mediocre thriller script, this would have been an average outing for Jeethu Joseph under any other circumstance.
Three seasons later, The Mandalorian series is given a big-screen treatment, marking the first Star Wars movie in seven years.
Guy Ritchie reunites with Henry Cavill, Jake Gyllenhaal, and Eiza González in this deliberately dialogue-driven but engrossing action thriller.
Bayaar is an austere and haunting meditation on guilt, memory and spiritual reckoning that confronts the uneasy weight of self-judgment with quiet conviction.
With a misguided story that lacks both stakes and an obvious through-line due to an onslaught of new characters, Mortal Kombat II feels less focused than its predecessor and therefore a lot messier.