Bayaar is an austere and haunting meditation on guilt, memory and spiritual reckoning that confronts the uneasy weight of self-judgment with quiet conviction.
With a misguided story that lacks both stakes and an obvious through-line due to an onslaught of new characters, Mortal Kombat II feels less focused than its predecessor and therefore a lot messier.
In the end, Patriot is a film with ambition but little control.
In what could have been easily a nostalgic cash-grab of a sequel, returning writer Aline Brosh McKenna and director David Frankel deliver a better-than-expected follow-up that evolves with the times while maintaining the charm of the 2006 original.
The long-awaited Michael Jackson biopic treads familiar ground but still emerges as one of the most entertaining biopics ever made.
With insane body horror, a gnarly third act and incredibly entertaining scares, Lee Cronin’s The Mummy is a more than competent horror flick.
Thanks to Midhun’s unnecessary flourish, it ends up feeling like an unfinished film when it definitely deserved a better ending.
The long-awaited movie follow-up brings Cillian Murphy’s Tommy Shelby’s arc to a competent end.
Ready or Not 2 can easily be summed up as ‘more of the same’, though the final product isn’t as slick and surprising as the first instalment was.
Project Hail Mary is not only the best film 2026 has to offer so far, but may be one of the most impressive science fiction outings we’ve had this decade.