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Theo James

The Monkey

‘The Monkey’ Review: Osgood Perkins Goes Bananas Blending Extreme Gore and Violence with Pitch-Black Humor But Misses the Mark in Everything Else

by Casey Chong

Moving away from the usual somber horror fares, Osgood Perkins’s fifth directorial effort sees the writer-director dipping his toes into the horror-comedy genre with mixed results.

‘Insurgent’ fails to live up to Divergent

by ADMIN

Lack of rationale is Insurgent's biggest problem.

Review: ‘Divergent’ is the Typical Young Adult Film

by Russ Homer

If you want to see another teen book adaptation like Hunger games, or if you just want to be entertained by another post-war civilization story, then check out Divergent.

Movie Reviews

The Thursday Murder Club

The Thursday Murder Club

Eden

Eden

Coolie

Coolie (2025)

Night Always Comes

Night Always Comes

Nobody

Nobody 2

Cloud (2024)

Cloud (2024)

The Naked Gun

The Naked Gun (2025)

The Fantastic Four: First Steps

The Fantastic Four: First Steps

I Know What You Did Last Summer

I Know What You Did Last Summer

Superman

Superman

Jurassic World: Rebirth

Jurassic World: Rebirth

The Old Guard 2

The Old Guard 2

F1

F1

28 Years Later

28 Years Later

Predator: Killer of Killers

Predator: Killer of Killers

Ballerina

From the World of John Wick: Ballerina

The Phoenician Scheme

The Phoenician Scheme

Karate Kid: Legends

Karate Kid: Legends

Mission: Impossible - The Final Reckoning

Mission: Impossible - The Final Reckoning

Thunderbolts

Thunderbolts*

Recent Posts

01
The Thursday Murder Club

‘The Thursday Murder Club’ Review: Stellar Cast, Forgettable Mystery

02
Eden

‘Eden’ Review: A Scene-Stealing Ana de Armas Anchors Ron Howard’s Bleak, Though Uneven 1930s-Set Survival Thriller

03
Coolie

Review: ‘Coolie’ and the Enduring Aura of Rajinikanth

04
Night Always Comes

‘Night Always Comes’ Review: A Committed Vanessa Kirby Leads Netflix’s Erratic Poverty-Stricken, Single-Night Crime Drama

05
Nobody

‘Nobody 2’ Review: A Formulaic Sequel Saved by Bob Odenkirk’s No-Nonsense Performance and Timo Tjahjanto’s Visceral Action-Comedy Mayhem

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