Steven Spielberg’s highly anticipated return to the sci-fi genre showcases some of his best works.
‘Masters of the Universe’ Review: Travis Knight’s Big-Budget Redo Gets Overly Juvenile for its Own Good
After decades of development hell, Amazon MGM Studios spent big on reviving one of Mattel’s IPs and… largely faltered.
‘The Mandalorian and Grogu’ Review: Jon Favreau Embraces the Old-School Fun in an Otherwise Predictable Star Wars Movie
Three seasons later, The Mandalorian series is given a big-screen treatment, marking the first Star Wars movie in seven years.
‘In the Grey’ Review: Guy Ritchie’s Latest Movie Packs the Charismatic Energy of Henry Cavill and Jake Gyllenhaal
Guy Ritchie reunites with Henry Cavill, Jake Gyllenhaal, and Eiza González in this deliberately dialogue-driven but engrossing action thriller.
‘The Devil Wears Prada 2’ Review: Anne Hathaway and Meryl Streep Return in a Worthy Sequel Blending Nostalgia and Modernity
In what could have been easily a nostalgic cash-grab of a sequel, returning writer Aline Brosh McKenna and director David Frankel deliver a better-than-expected follow-up that evolves with the times while maintaining the charm of the 2006 original.
The long-awaited Michael Jackson biopic treads familiar ground but still emerges as one of the most entertaining biopics ever made.
‘Peaky Blinders: The Immortal Man’ Review: It’s Far from the Best, But Cillian Murphy Still Rules in This Feature-Length Culmination of Tommy Shelby’s Story
The long-awaited movie follow-up brings Cillian Murphy’s Tommy Shelby’s arc to a competent end.
‘War Machine’ Review: It’s Man vs. Machine in Netflix’s Disposable But Visceral Sci-Fi Action Thriller
A no-nonsense Alan Ritchson leads Patrick Hughes’ military action and sci-fi thriller combo.
‘The Bride!’ Review: Jessie Buckley’s Unhinged Performance Comes Undone in Maggie Gyllenhaal’s Bold But Uneven Gothic Romance
Maggie Gyllenhaal goes for a radical take on the Bride of Frankenstein story but comes up short.
‘In the Blink of an Eye’ Review: Andrew Stanton’s Era-Spanning Sci-Fi Drama Navigates a Well-Meaning But Mostly Dull Journey of Shared Humanity
Director Andrew Stanton’s second foray into a live-action feature has once again failed to recapture the same moviemaking magic seen in his superior Pixar animated features.