With both heart-wrenching emotion and unyielding fortitude, In the Land of Brothers artfully captures the essence of human struggle in forced exile, rendering the tale not as a localized tragedy but as a universal vicissitude etched in the annals of human experience.
All of us Strangers is yet another terrific calling card for Haigh, who is increasingly joining the A-list of British
filmmakers.
Malaikottai Vaaliban, without any doubt, is the weakest film of Lijo Jose Pellissery. It conspicuously invested in imagery to forego depth and direction, a rare oversight from its auteur filmmaker.
This won’t be a film you’ll remember in years, or even months to come, but American Fiction is delightfully charming and very, very funny.
Sweeping Landscapes, Stunning Cinematography, Non-Linear storytelling and an Oscar Worthy Performance makes The Outrun a must watch.
Jonathan Glazer’s latest film, The Zone of Interest, is a haunting trip into the darkest days of human history with an intense examination of Rudolf Höss.
The Promised Land maintains an emotional tone without succumbing to oversentimentality that strikes a human chord while recounting a tale of grit, courage, and the inevitable price that accompanies such resilience.
The Settlers is not made on a huge scale but that does not deter it from being anything short of an epic.
With Raghavan's discerning eye and flawless stylistic incorporation, Merry Christmas encapsulates an unforeseen romance amidst secrecy and yearning.
Yorgos Lanthimos has outdone himself, with Poor Things delivering a riveting study of society, and a fantastical treat for all the senses.