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Aiden Morton

Aiden Morton is a lifelong fan of film that has been writing reviews for as long as he can remember. He is located in Utah and is currently in film school. His current project is a Christmas horror film. He tries to see as many new releases as he can, while filling in blindspots in film history.

The People's Joker

Review: ‘The People’s Joker’ is the bold, funny, and boundary pushing Joker film that Warner Bros. Is trying to hide

by Aiden Morton

The People's Joker is the boundary pushing trans Joker film that you can see one night only.

I Saw the TV Glow

Sundance 2024: ‘I Saw The TV Glow’ Is A Candy-Coated, Guttural Scream of a Movie

by Aiden Morton

I Saw the TV glow is a titanic achievement in indie filmmaking that could be a sign of what’s to come in this new and exciting generation of horror, shepherded by Jane Shoenbrun, who has established themselves as a major talent. 

Movie Reviews

Supergirl

Supergirl

Disclosure Day

Disclosure Day

Mollywood Times

Mollywood Times

Masters of Universe

Masters of the Universe

Backrooms

Backrooms

Drishyam 3

Drishyam 3

Star Wars: The Mandalorian and Grogu Star Wars: The Mandalorian and Grogu

Star Wars: The Mandalorian and Grogu

In the Grey

In the Grey

Bayaar

Bayaar

Mortal Kombat II

Mortal Kombat II

Patriot

Patriot (2026)

the devil wears prada 2

The Devil Wears Prada 2

Beef Season 2

Beef Season 2

Michael

Michael

The Mummy

The Mummy (2026)

Aadu 3

Aadu 3

Peaky Blinders: The Immortal Man

Peaky Blinders: The Immortal Man

Ready or Not 2

Ready or Not 2

Project Hail Mary

Project Hail Mary

War Machine

War Machine

Recent Posts

01
Supergirl

‘Supergirl’ Review: Even a Committed Milly Alcock isn’t Enough to Overcome This Mostly Tedious Superhero Movie

02
Disclosure Day

‘Disclosure Day’ Review: Emily Blunt Steals the Show in Steven Spielberg’s Thrilling Conspiracy-Theory Mystery with a Sci-Fi Twist

03
Mollywood Times

‘Mollywood Times’ Review: Naslen Plays an Obsessive Dreamer in an Uneven Showbiz Critique

04
Masters of Universe

‘Masters of the Universe’ Review: Travis Knight’s Big-Budget Redo Gets Overly Juvenile for its Own Good

05
Backrooms

‘Backrooms’ Review: Liminal Space Has Never Been Scarier

Talking Films
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  • Home
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  • Advertise With Us
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  • Features
    • Foreign Shores
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    • Sundance 2024
    • Sundance 2025