The Gorge may not be a revolution in this genre blend, but it stands out for its stylish execution, imaginative creature design, and the engaging chemistry between its leads.
Bridget Jones: Mad About the Boy works well as a strong ending to the franchise, a poignant exploration of grief and a funny, charming way to spend two hours.
Set against the tumultuous backdrop of Mahsa Amini’s controversial death, Mohammad Rasoulof subtly reflects the real-life case with the harrowing story of a family imploding
inside out.
Inspired by true events, Magnum von Horn’s deliberate slow-burn blends the somber horrors of a woman’s impoverishment and the baby-killing case during post-World War I Denmark.
The Mehta Boys is one of those films that prioritizes emotional truth over narrative novelty. In doing so, it crafts a quietly affecting viewing experience.
It's refreshing when an Indian film dares to challenge conventional folklore in cinema and breathe new life into familiar narrative tropes.
Jonathan Eusebio’s otherwise inconsistent debut feature offers Ke Huy Quan the chance to lead a movie that showcases the actor’s comedic chops and nifty martial arts moves.
GEN_ offers a quiet yet powerful portrait of a physician silently withstanding the complex intersection of medicine, politics, and human experience.
DJ Ahmet tells a story of first love, burgeoning nonconformity, and the enduring power of human connection.
The Virgin of the Quarry Lake commands our attention and leaves us with an ending that lingers long after the credits have rolled.