A whirlwind of insane ideas, admirable creativity and complex themes, Megalopolis is bound to divide audiences due to tackling too much.
‘All We Imagine As Light’ Review: Three Women Beneath the Blue Monsoon Skies of Mumbai
by Neil Madhav
Kapadia paints the world around the characters with pure observation, a subtlety that makes 'All We Imagine as Light' progressively more captivating.
Speak No Evil may not reach the visceral depth of the Danish original, but it offers a more accessible, commercially appealing approach.
Despite the filmmaker's intentions to create a rich and thought-provoking narrative, Berlin ultimately falls short of its aspirations.
Uljhan - The Knot is a social drama that has the sheer grit and ability to look into the eye of a festering social problem.
Beetlejuice Beetlejuice captures the original's magic but stumbles over its narrative ambition.
Only the River Flows is a slow burn that defies conventional approaches.
The overall experience of watching MT Vasudevan Nair's selected short stories translated to the screen lacks cinematic brilliance and vision.
Alien: Romulus is a dread-inducing, tense and scary space horror with excellent performances, a concise story and tremendous use of practical effects.
Borderlands is crippled by cringe-worthy dialogue, a weak and under-explored storyline, underdeveloped annoying characters with no chemistry and a lack of intensity when it comes to the action.