The Promised Land maintains an emotional tone without succumbing to oversentimentality that strikes a human chord while recounting a tale of grit, courage, and the inevitable price that accompanies such resilience.
The Settlers is not made on a huge scale but that does not deter it from being anything short of an epic.
With Raghavan's discerning eye and flawless stylistic incorporation, Merry Christmas encapsulates an unforeseen romance amidst secrecy and yearning.
Yorgos Lanthimos has outdone himself, with Poor Things delivering a riveting study of society, and a fantastical treat for all the senses.
Netflix’s latest offering, Society of the Snow is a must-watch, no matter how uncomfortable it might make you feel.
Good Grief serves as a reminder of the well-rounded talents of Levy himself, above all else. Yet, the film arguably leaves viewers wanting more – and not in the way Levy may have intended.
Ferrari is Michael Mann's weakest movie till date. The movie suffers from a poor script that just does nothing to grab the viewer's attention.
The mesmerizing Icelandic landscape shown in Godland serves as an unforgiving character that constantly reminds the audience how stunning yet devastating it can be at the same time.
12th Fail serves as a stern commentary on the societal dynamics where education becomes a vital tool for individuals from less privileged backgrounds to claim their deserved rights and respect under the sun.
Kho Gaye Hum Kahan serves up a substantial narrative feast, but it falls short of attaining satisfying coherence, leaving untapped potential in its wake.