The love-hate chemistry between the mismatched team of antiheroes propels this latest superhero team-up movie.
The Accountant 2 turns out to be a surprisingly superior sequel to the original, driven by the smart bet on the fraternal relationship between Ben Affleck and Jon Bernthal.
‘Havoc’ Review: Gareth Evans Soaks Up a Familiar Bullet-Ridden and Bloody Action Thriller
Gareth Evans is back in the familiar action thriller territory that made his name in the first place in Merantau and the first two Raid films with a no-holds-barred Havoc.
Featuring a talented cast and impeccable sound design, Warfare is a stark and intense ride that will leave you cold by the time the credits roll.
‘Sinners’ Review: Ryan Coogler Explores the Oft-Seen Vampire Genre Inside Out with a Propulsive Mix of Character-Driven Historical Drama and Blues Music
A 1930s Jim Crow-era historical drama and a vampire horror unexpectedly wrapped in the blues music allegory, resulting in one of the most unique genre-bending movies of 2025.
L2: Empuraan is unmistakably a film made for unapologetic Mohanlal fans as it milks almost every bit of nostalgia associated with the yesteryear Mohanlal swag.
‘The Electric State’ Review: The Russo Brothers’ Otherwise Technically Impressive Retro-Futuristic Sci-Fi Adventure Doesn’t Have Enough Power to Light Up the Excitement
Netflix’s mega-budget sci-fi blockbuster wannabe wasted the charismatic talents of Millie Bobby Brown and Chris Pratt.
Humans in the Loop stands out as an exception: a film that critically challenges the biases of systemic society, illuminating its flaws and lingering in the mind long after the credits roll.
‘Mickey 17’ Review: The Otherwise Surface-Level Sci-Fi Satire Features an Entertainingly Dual Robert Pattinson
Bong Joon-Ho’s long-awaited (and long-delayed) follow-up to Parasite is a familiar, though not entirely successful blend of dark satire and farcical humor.
‘The Monkey’ Review: Osgood Perkins Goes Bananas Blending Extreme Gore and Violence with Pitch-Black Humor But Misses the Mark in Everything Else
Moving away from the usual somber horror fares, Osgood Perkins’s fifth directorial effort sees the writer-director dipping his toes into the horror-comedy genre with mixed results.