Blessy’s Aadujeevitham is hardly inventive, or imaginative, and often lacks the vigor it needed to be the survival thriller it aspires to be.
The intentions of the makers of Ae Watan Mere Watan are undoubtedly honest but how the film has been shaped, it is not memorable at all, and that undermines all the efforts of the individuals who have contributed to its making.
Whispers Of Fire & Water provides a fresh and original evocation where the directorial control stresses the quotidian aspect and placid texture underscoring the turmoil of the characters’ struggle without resorting to exegesis.
Aattam provides subdued moments with meaningful dialogue that is sincere and nuanced leaving a lasting impact and resonating with the viewer's minds long after the credits roll.
To Kill a Tiger is imbued with a sharp sense of sympathy and portrayed in way that stirs our conscience and emotionally connects us with the members of a family who have been treated unfairly in one of the world's largest democracies.
Laapataa Ladies weaves themes of tradition and modernity with an acumen illustrating the strong sense of cultural identity that has an emotional afterglow.
Manjummel Boys is a technically well-made film that cleverly captures the cinematic sensibilities of the audience.
With well-developed characters, a consistently engaging storyline that forces you to change your perspective at each scene and an extremely powerful ending, Monster is a truly beautiful piece of cinema.
Brief History of a Family boldly explores the ambitions and manipulative actions of a young boy seeking a shortcut to social elevation while delicately navigating the complex dynamics between parents and children.
Through the lens of two Senegalese teenagers, Io Capitano exposes the punishing process of illegal migration, delving into the potential for displaced individuals to redefine themselves and revealing a condition of perpetual displacement that leaves an indelible mark on the viewer.