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Manuel Sao Bento

Portuguese critic based in Sweden with a tremendous passion for cinema, television, and the art of filmmaking. Strives to offer an unbiased perspective and has stopped watching trailers since 2017. Rotten Tomatoes approved. Outlets: FandomWire, Talking Films, Firstshowing, InSession Film, That Shelf, Filmhounds Magazine. Proud member of associations such as OFCS (Online Film Critics Society), IFSC (International Film Society Critics), and OFTA (Online Film & Television Association).

The Phoenician Scheme

‘The Phoenician Scheme’ Review: for fans and skeptics alike, a more accessible entry point into Wes Anderson’s world

by Manuel Sao Bento

The Phoenician Scheme is yet another clear example of Wes Anderson's singular vision, with the filmmaker continuing to provide space for every department to shine.

The Accountant 2

‘The Accountant 2’ Review: Ben Affleck and Jon Bernthal shine in a surprisingly superior sequel

by Manuel Sao Bento

The Accountant 2 turns out to be a surprisingly superior sequel to the original, driven by the smart bet on the fraternal relationship between Ben Affleck and Jon Bernthal.

Cleaner

‘Cleaner’ Review: Daisy Ridley Shines in a Die Hard-Inspired Thriller

by Manuel Sao Bento

Cleaner is a functional action-thriller that meets the genre's basic requirements without ever truly standing out.

The Gorge

‘The Gorge’ Review: A Well-Crafted Genre Blend with Strong Performances

by Manuel Sao Bento

The Gorge may not be a revolution in this genre blend, but it stands out for its stylish execution, imaginative creature design, and the engaging chemistry between its leads.

Blitz

‘Blitz’ Review: Beautifully Crafted, Emotionally Hollow

by Manuel Sao Bento

While Blitz doesn't entirely disappoint, it lacks the emotional depth and originality needed to stand out in an already saturated genre.

Gladiator II

‘Gladiator II’ Review: A Legacy Sequel that Triumphs through Spectacle and Emotion

by Manuel Sao Bento

Gladiator II may not achieve the groundbreaking impact of the original film, but it remains an impressive cinematic experience, transporting audiences into an epic filled with emotional and visual grandeur.

Venom: The Last Dance

‘Venom: The Last Dance’ Review: A Messy, Bloated, Surprisingly Emotional Farewell

by Manuel Sao Bento

Venom: The Last Dance is structurally clumsy, introducing new characters halfway through its runtime and, as a result, making the story overly packed and frustratingly sluggish.

The Apprentice

‘The Apprentice’ Review: Sebastian Stan and Jeremy Strong Shine in a Provocative, Bold Donald Trump Biopic

by Manuel Sao Bento

The Apprentice is a biopic that challenges us to reflect on the choices we make every day and just how far we're willing to go to achieve our dreams.

Saturday Night

‘Saturday Night’ Review: Capturing the Chaos and Magic of SNL’s First Broadcast

by Manuel Sao Bento

Saturday Night successfully captures the frenetic energy and spontaneous magic of the behind-the-scenes world of SNL, transporting us to the heart of the organized chaos of a live broadcast.

Joker: Folie à Deux

‘Joker: Folie à Deux’ Review: An Ambitious Musical Failure

by Manuel Sao Bento

Joker: Folie à Deux holds immense technical and artistic merit, but it fails to replicate the success and impact of the original.

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Movie Reviews

The End of Oak Street

The End of Oak Street

Brand New Day

Spider-Man: Brand New Day

The Odyssey

The Odyssey

Moana

Moana (2026)

Supergirl

Supergirl

Disclosure Day

Disclosure Day

Mollywood Times

Mollywood Times

Masters of Universe

Masters of the Universe

Backrooms

Backrooms

Drishyam 3

Drishyam 3

Star Wars: The Mandalorian and Grogu Star Wars: The Mandalorian and Grogu

Star Wars: The Mandalorian and Grogu

In the Grey

In the Grey

Bayaar

Bayaar

Mortal Kombat II

Mortal Kombat II

Patriot

Patriot (2026)

the devil wears prada 2

The Devil Wears Prada 2

Beef Season 2

Beef Season 2

Michael

Michael

The Mummy

The Mummy (2026)

Aadu 3

Aadu 3

Recent Posts

01
The End of Oak Street

‘The End of Oak Street’ Review – A Roaringly Entertaining Suburban Creature Feature

02
Brand New Day

‘Spider-Man: Brand New Day’ Review: A Soulful Tom Holland Dominates Destin Daniel Cretton’s Emotional Yet Exciting Street-Level Spidey Movie

03
The Odyssey

‘The Odyssey’ Review: Christopher Nolan’s Cinematic Take on Homer’s Epic Poem Delivers a Palpable IMAX Experience 

04
Moana

‘Moana’ Review – Retreads Old Waters Whilst Losing the Magic in the Process

05
Supergirl

‘Supergirl’ Review: Even a Committed Milly Alcock isn’t Enough to Overcome This Mostly Tedious Superhero Movie

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