Molly Manning Walker truly puts herself on the map with this one, proving she's one to watch with a thought-provoking and vital piece of cinema.
Anatomy of a Fall decisively diverges from anticipated conventions of procedural and courtroom dramas, embracing a detached style that is distinctive and refreshing.
With captivating 2D and 3D animation, coupled with motion capture, Schirkoa becomes a visually compelling satire, depicting life under the firm grip of an authoritarian regime.
The Tiger's Apprentice remains shallow, a casualty of the breakneck pacing that constitutes the film's major problem.
Argylle emerges as a pleasant surprise this new year, blending absurdity with sophistication to create a truly memorable cinematic experience.
Reinas is a personal, small-scale story told in the shadow of world-altering events, a perfect environment in which characters can be explored and developed.
Girls Will be Girls takes us on a delicate journey of self-discovery for a teenage girl as she aligns herself with the symphony of growth, understanding, and shared experiences.
With both heart-wrenching emotion and unyielding fortitude, In the Land of Brothers artfully captures the essence of human struggle in forced exile, rendering the tale not as a localized tragedy but as a universal vicissitude etched in the annals of human experience.
All of us Strangers is yet another terrific calling card for Haigh, who is increasingly joining the A-list of British
filmmakers.
Malaikottai Vaaliban, without any doubt, is the weakest film of Lijo Jose Pellissery. It conspicuously invested in imagery to forego depth and direction, a rare oversight from its auteur filmmaker.