The Tiger's Apprentice remains shallow, a casualty of the breakneck pacing that constitutes the film's major problem.
Argylle emerges as a pleasant surprise this new year, blending absurdity with sophistication to create a truly memorable cinematic experience.
Reinas is a personal, small-scale story told in the shadow of world-altering events, a perfect environment in which characters can be explored and developed.
Girls Will be Girls takes us on a delicate journey of self-discovery for a teenage girl as she aligns herself with the symphony of growth, understanding, and shared experiences.
With both heart-wrenching emotion and unyielding fortitude, In the Land of Brothers artfully captures the essence of human struggle in forced exile, rendering the tale not as a localized tragedy but as a universal vicissitude etched in the annals of human experience.
All of us Strangers is yet another terrific calling card for Haigh, who is increasingly joining the A-list of British
filmmakers.
Malaikottai Vaaliban, without any doubt, is the weakest film of Lijo Jose Pellissery. It conspicuously invested in imagery to forego depth and direction, a rare oversight from its auteur filmmaker.
This won’t be a film you’ll remember in years, or even months to come, but American Fiction is delightfully charming and very, very funny.
Sweeping Landscapes, Stunning Cinematography, Non-Linear storytelling and an Oscar Worthy Performance makes The Outrun a must watch.
Jonathan Glazer’s latest film, The Zone of Interest, is a haunting trip into the darkest days of human history with an intense examination of Rudolf Höss.