12th Fail serves as a stern commentary on the societal dynamics where education becomes a vital tool for individuals from less privileged backgrounds to claim their deserved rights and respect under the sun.
Kho Gaye Hum Kahan serves up a substantial narrative feast, but it falls short of attaining satisfying coherence, leaving untapped potential in its wake.
The real beauty of the film lies in the extremely rich visuals; the superb camera-work and the typical Wongish blend of music with the striking visuals.
Though Salaar is a technical triumph, a notable deficiency lies in the emotional trajectory of the protagonist, which doesn't quite reach the depth achieved by Rocky in the KGF.
The story is about Taapsee Pannu's character but somehow SRK is in the limelight throughout the film mainly due to a weak script.
Neru, as a movie, doesn’t invent anything new. It feels like a safe bet.
Inside the Yellow Cocoon Shell portrays Vietnam like we have never seen before as a character in a film that is visually beautiful, mysterious and awe inspiring in its cinematic experience.
'Agra' bravely confronts audiences with uncomfortable truths, pushing boundaries, and challenging societal norms.
The film echoes many of the early 50’s movies with some weird rock and roll played by the church band and also a weird title.
Director Don Palathara has crafted a brutally authentic film where lingering static shots with minute invisible details tell a story where the audience serves as a witness in every scene.