Second Chance is an introspective drama that adeptly portrays a wide range of emotions, from the resilience of optimism to the debilitating effects of pain.
While Kalki 2898 AD excels in craftsmanship, its storytelling needs to be pushed to the limit in future editions to ensure a longer-lasting appeal.
Paradise offers a compelling viewing experience. The credit lies with Vithanage and his co-writer, Anushka Senanayake, for their decision to keep the screenplay free from extraneous plots.
Barah by Barah is ultimately heartbreaking and heartwarming in equal measure. The recreation of life in small-town India feels authentic. This indie is uncompromised cinema and ends on a hopeful high note.
On a deeper level, the film leaves us unsatisfied, as there is no directorial signature to be spotted anywhere.
The five short films are tales of individuals who deal with the challenging lives of the marginalized, the vulnerable, the impoverished, the alienated, and the troubled.
Heeramandi fails to manage its sprawling storylines deftly and struggles to maintain emotional engagement throughout its daunting length.
The Asunta Case has engaging plot-driven episodes and commendable performances from the cast. For those who prefer to watch the miniseries without Googling the case, it's binge-worthy.
Katu Pootha Malay challenges tried-and-tested storytelling techniques and explores complex themes and ideas through a simplified form of storytelling.
Amar Singh Chamkila is a very brave film, handled with both maturity and wit, that aims to surprise its viewers rather than conform to predictable formulas.