Gareth Evans is back in the familiar action thriller territory that made his name in the first place in Merantau and the first two Raid films with a no-holds-barred Havoc.
A 1930s Jim Crow-era historical drama and a vampire horror unexpectedly wrapped in the blues music allegory, resulting in one of the most unique genre-bending movies of 2025.
Netflix’s mega-budget sci-fi blockbuster wannabe wasted the charismatic talents of Millie Bobby Brown and Chris Pratt.
Bong Joon-Ho’s long-awaited (and long-delayed) follow-up to Parasite is a familiar, though not entirely successful blend of dark satire and farcical humor.
Moving away from the usual somber horror fares, Osgood Perkins’s fifth directorial effort sees the writer-director dipping his toes into the horror-comedy genre with mixed results.
Set against the tumultuous backdrop of Mahsa Amini’s controversial death, Mohammad Rasoulof subtly reflects the real-life case with the harrowing story of a family imploding
inside out.
Inspired by true events, Magnum von Horn’s deliberate slow-burn blends the somber horrors of a woman’s impoverishment and the baby-killing case during post-World War I Denmark.
Jonathan Eusebio’s otherwise inconsistent debut feature offers Ke Huy Quan the chance to lead a movie that showcases the actor’s comedic chops and nifty martial arts moves.
The documentary film Khartoum examines the plights of the five participating exiled Sudanese citizens as they relive their respective stories before, during, and after the war that changed their lives forever.
Moving away from the first movie’s Michael Mann-style filmmaking to the sequel’s elegant and stylish European vibe resulted in a botched job.