Netflix’s mega-budget sci-fi blockbuster wannabe wasted the charismatic talents of Millie Bobby Brown and Chris Pratt.
Bong Joon-Ho’s long-awaited (and long-delayed) follow-up to Parasite is a familiar, though not entirely successful blend of dark satire and farcical humor.
Moving away from the usual somber horror fares, Osgood Perkins’s fifth directorial effort sees the writer-director dipping his toes into the horror-comedy genre with mixed results.
Set against the tumultuous backdrop of Mahsa Amini’s controversial death, Mohammad Rasoulof subtly reflects the real-life case with the harrowing story of a family imploding
inside out.
Inspired by true events, Magnum von Horn’s deliberate slow-burn blends the somber horrors of a woman’s impoverishment and the baby-killing case during post-World War I Denmark.
‘Love Hurts’ Review: Ke Huy Quan Goes Jackie Chan Mode in This Visceral But Uneven Action Comedy
Jonathan Eusebio’s otherwise inconsistent debut feature offers Ke Huy Quan the chance to lead a movie that showcases the actor’s comedic chops and nifty martial arts moves.
The documentary film Khartoum examines the plights of the five participating exiled Sudanese citizens as they relive their respective stories before, during, and after the war that changed their lives forever.
Moving away from the first movie’s Michael Mann-style filmmaking to the sequel’s elegant and stylish European vibe resulted in a botched job.
Taron Egerton engages in a thrilling game of cat-and-mouse trying to outsmart his threat played by the sublime Jason Bateman.
Journeyman director D.J. Caruso’s attempt to streamline a story about the Virgin Mary in a new light misses most of the marks.