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Twenty nine Palms

Bruno, his films and his new Empire

by John

Bruno Dumont and his most powerful film yet.

Movie Reviews

Anora

Anora

Freedom (2024)

Freedom (2024)

Juror #2

Juror #2

Venom: The Last Dance

Venom: The Last Dance

Don't Move

Don't Move

The Shadow Strays

The Shadow Strays

Queer

Queer (2024)

We live in Time

We Live in Time

Woman of the Hour

Woman of the Hour

The Apprentice

The Apprentice

Saturday Night

Saturday Night

Joker: Folie à Deux

Joker: Folie à Deux

CTRL

CTRL

Megalopolis

Megalopolis

All We Imagine As Light

All We Imagine As Light

Speak No Evil

Speak No Evil

Berlin

Berlin

Uljhan – The Knot

Uljhan - The Knot

Beetlejuice Beetlejuice

Beetlejuice Beetlejuice

Only the River Flows

Only the River Flows

Recent Posts

01
Anora

‘Anora’ Review – A Riveting and Thought-Provoking Addition to Sean Baker’s Filmography

02
Freedom (2024)

‘Freedom’ Review: Lucas Bravo’s Charming Performance Leads Mélanie Laurent’s Well-Shot But Surface-Level Exploits of Bruno Sulak.

03
Juror #2

‘Juror #2’ Review – Clint Eastwood’s Courtroom Drama Delivers its Final Verdict too Early

04
Venom: The Last Dance

‘Venom: The Last Dance’ Review: A Messy, Bloated, Surprisingly Emotional Farewell

05
Don't Move

‘Don’t Move’ Review: A Decent Sam Raimi-Produced High-Concept Horror-Thriller Featuring Kelsey Asbille and Finn Wittrock’s Solid Performances

Talking Films
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  • Home
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    • Sundance 2024