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netflix

Night Always Comes

‘Night Always Comes’ Review: A Committed Vanessa Kirby Leads Netflix’s Erratic Poverty-Stricken, Single-Night Crime Drama

by Casey Chong

Benjamin Caron’s sophomore feature boasts Vanessa Kirby’s engaging performance, but squanders the otherwise intriguing single-night premise with uneven results.

The Old Guard 2

‘The Old Guard 2’ Review – Long-awaited Netflix Sequel Packs a Punch

by Becca Johnson

The Old Guard 2 is an impressive sequel that effortlessly manages to carry over the themes, tones and overall feel of the first movie.

Havoc

‘Havoc’ Review: Gareth Evans Soaks Up a Familiar Bullet-Ridden and Bloody Action Thriller

by Casey Chong

Gareth Evans is back in the familiar action thriller territory that made his name in the first place in Merantau and the first two Raid films with a no-holds-barred Havoc.

Black Warrant

‘Black Warrant’ Review: A Compelling Look Inside Tihar Jail

by Dipankar Sarkar

Black Warrant is a compelling watch, thanks to its impeccable execution, sharp attention to detail, technical finesse, and outstanding performances.

Carry-On

‘Carry-On’ Review: It’s Taron Egerton vs. Jason Bateman in a Suspenseful Netflix Thriller

by Casey Chong

Taron Egerton engages in a thrilling game of cat-and-mouse trying to outsmart his threat played by the sublime Jason Bateman.

Mary

‘Mary’ Review: A Biblical Letdown That Tries to Blend a Coming-of-Age Drama and an Epic Historical Action-Adventure

by Casey Chong

Journeyman director D.J. Caruso’s attempt to streamline a story about the Virgin Mary in a new light misses most of the marks.

Emilia Pérez

Review: ‘Emilia Pérez’ is a Stylish Crime Drama Lost in Narrative Void

by Dipankar Sarkar

Emilia Pérez is a well-acted and directed drama, with the spark of female bonding between the various characters proving both exciting and deeply moving.

Don't Move

‘Don’t Move’ Review: A Decent Sam Raimi-Produced High-Concept Horror-Thriller Featuring Kelsey Asbille and Finn Wittrock’s Solid Performances

by Casey Chong

Grief and paralysis take center stage in this cat-and-mouse thrill of survival between an immobile, helpless protagonist and an unhinged serial killer.

The Shadow Strays

‘The Shadow Strays’ Review: Explosive Action with an Underwhelming Story

by Dipankar Sarkar

The Shadow Strays presents another tale of heightened reality and confrontations that fall victim to stylized filmmaking.

CTRL

‘CTRL’ Review: The Toll of Digital Recognition

by Dipankar Sarkar

CTRL holds a mirror to us all, challenging us to confront the troubling aspects of our internet personas and how those identities can become fragmented, distorted, and even impossible to decipher in the digital haze.

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Movie Reviews

Eden

Eden

Coolie

Coolie (2025)

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Night Always Comes

Nobody

Nobody 2

Cloud (2024)

Cloud (2024)

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The Naked Gun (2025)

The Fantastic Four: First Steps

The Fantastic Four: First Steps

I Know What You Did Last Summer

I Know What You Did Last Summer

Superman

Superman

Jurassic World: Rebirth

Jurassic World: Rebirth

The Old Guard 2

The Old Guard 2

F1

F1

28 Years Later

28 Years Later

Predator: Killer of Killers

Predator: Killer of Killers

Ballerina

From the World of John Wick: Ballerina

The Phoenician Scheme

The Phoenician Scheme

Karate Kid: Legends

Karate Kid: Legends

Mission: Impossible - The Final Reckoning

Mission: Impossible - The Final Reckoning

Thunderbolts

Thunderbolts*

The Accountant 2

The Accountant 2

Recent Posts

01
Eden

‘Eden’ Review: A Scene-Stealing Ana de Armas Anchors Ron Howard’s Bleak, Though Uneven 1930s-Set Survival Thriller

02
Coolie

Review: ‘Coolie’ and the Enduring Aura of Rajinikanth

03
Night Always Comes

‘Night Always Comes’ Review: A Committed Vanessa Kirby Leads Netflix’s Erratic Poverty-Stricken, Single-Night Crime Drama

04
Nobody

‘Nobody 2’ Review: A Formulaic Sequel Saved by Bob Odenkirk’s No-Nonsense Performance and Timo Tjahjanto’s Visceral Action-Comedy Mayhem

05
Cloud (2024)

‘Cloud (2024)’ Review: Kiyoshi Kurosawa’s Chilling Take on Modern Success and Moral Decay

Talking Films
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