Malaikottai Vaaliban, without any doubt, is the weakest film of Lijo Jose Pellissery. It conspicuously invested in imagery to forego depth and direction, a rare oversight from its auteur filmmaker.
Jonathan Glazer’s latest film, The Zone of Interest, is a haunting trip into the darkest days of human history with an intense examination of Rudolf Höss.
The Promised Land maintains an emotional tone without succumbing to oversentimentality that strikes a human chord while recounting a tale of grit, courage, and the inevitable price that accompanies such resilience.
With Raghavan's discerning eye and flawless stylistic incorporation, Merry Christmas encapsulates an unforeseen romance amidst secrecy and yearning.
Netflix’s latest offering, Society of the Snow is a must-watch, no matter how uncomfortable it might make you feel.
12th Fail serves as a stern commentary on the societal dynamics where education becomes a vital tool for individuals from less privileged backgrounds to claim their deserved rights and respect under the sun.
Kho Gaye Hum Kahan serves up a substantial narrative feast, but it falls short of attaining satisfying coherence, leaving untapped potential in its wake.
The real beauty of the film lies in the extremely rich visuals; the superb camera-work and the typical Wongish blend of music with the striking visuals.
Though Salaar is a technical triumph, a notable deficiency lies in the emotional trajectory of the protagonist, which doesn't quite reach the depth achieved by Rocky in the KGF.
The story is about Taapsee Pannu's character but somehow SRK is in the limelight throughout the film mainly due to a weak script.