Appuram is a work of visceral emotions and gentle notions, a portrait of faith in all its power, strangeness, and cruelty.
Though Despatch is an investigative crime drama, the scenes involving family dynamics truly elevate the film, bringing a powerful emotional resonance to the narrative.
‘Freedom’ Review: Lucas Bravo’s Charming Performance Leads Mélanie Laurent’s Well-Shot But Surface-Level Exploits of Bruno Sulak.
by Casey Chong
The true-crime drama of the notorious French criminal Bruno Sulak is given a rather straightforward screen treatment.
The Shadow Strays presents another tale of heightened reality and confrontations that fall victim to stylized filmmaking.
CTRL holds a mirror to us all, challenging us to confront the troubling aspects of our internet personas and how those identities can become fragmented, distorted, and even impossible to decipher in the digital haze.
‘All We Imagine As Light’ Review: Three Women Beneath the Blue Monsoon Skies of Mumbai
by Neil Madhav
Kapadia paints the world around the characters with pure observation, a subtlety that makes 'All We Imagine as Light' progressively more captivating.
Despite the filmmaker's intentions to create a rich and thought-provoking narrative, Berlin ultimately falls short of its aspirations.
Uljhan - The Knot is a social drama that has the sheer grit and ability to look into the eye of a festering social problem.
Only the River Flows is a slow burn that defies conventional approaches.
The overall experience of watching MT Vasudevan Nair's selected short stories translated to the screen lacks cinematic brilliance and vision.