Speak No Evil may not reach the visceral depth of the Danish original, but it offers a more accessible, commercially appealing approach.
Beetlejuice Beetlejuice captures the original's magic but stumbles over its narrative ambition.
It Ends With Us tries to balance heavy drama and conventional romance with some difficulties, but it manages to offer a minimally thought-provoking reflection on generational trauma and relationship abuse.
Furiosa: A Mad Max Saga deepens its titular protagonist and the respective post-apocalyptic world, offering a captivating origin story that enriches Fury Road, but its excessive runtime, predictability, and time spent addressing the other installment's flaws hinder its enjoyment.
The Fall Guy emerges as a passionate ode to the brave, audacious stunt doubles, neglected by the film industry for so many decades.
Civil War attests to Alex Garland's fascinating ability to create impactful narratives that provoke deep discussions, beyond his unwavering commitment to the themes and characters at hand, without falling into preachy stances.
Monkey Man shows that Dev Patel still has much to learn when it comes to directing and writing, but his unwavering commitment to a culturally and thematically rich story deserves countless praises.
Ghostbusters: Frozen Empire falls short of its predecessor, but the members of the classic and new cast inject enough energy, charm, and emotion to compensate for the narrative inconsistencies and pacing issues.
Damsel suffers immensely from its conventionality and lack of any significant exploration of its characters, any surprises in its storylines, or any notable thematic study.
Dune: Part Two surpasses even the highest expectations, establishing itself as an unquestionable technical masterpiece of blockbuster filmmaking.