Dipankar Sarkar is a film critic, regularly contributing reviews, interviews, and essays to various publications all over the world like Upperstall.com and Vaguevisages.com. He was one of the panelists for the selection of world cinema at the 27th International Film Festival of Kerala in 2022. He is a Research Fellowship from the NFAI, Pune India. As a freelancer, he frequently contributes to various Indian publications on cinema-related topics.
With both heart-wrenching emotion and unyielding fortitude, In the Land of Brothers artfully captures the essence of human struggle in forced exile, rendering the tale not as a localized tragedy but as a universal vicissitude etched in the annals of human experience.
The Promised Land maintains an emotional tone without succumbing to oversentimentality that strikes a human chord while recounting a tale of grit, courage, and the inevitable price that accompanies such resilience.
With Raghavan's discerning eye and flawless stylistic incorporation, Merry Christmas encapsulates an unforeseen romance amidst secrecy and yearning.
This short film provides a window into a society where those in positions of power consistently dictated and manipulated the rules to suit their interests, all seen through the lens of an innocent girl.
12th Fail serves as a stern commentary on the societal dynamics where education becomes a vital tool for individuals from less privileged backgrounds to claim their deserved rights and respect under the sun.
Kho Gaye Hum Kahan serves up a substantial narrative feast, but it falls short of attaining satisfying coherence, leaving untapped potential in its wake.
Three of Us evokes a level of poignancy that is rare and unique; the feeling persists long after the film's heartbreakingly poignant last minutes on screen.
The following ten examples demonstrate how the cinematic landscape of India continues to evolve; the definition of independent film will likely remain fluid, reflecting the dynamic nature of a medium that constantly pushes boundaries and defies easy categorization.
Though Salaar is a technical triumph, a notable deficiency lies in the emotional trajectory of the protagonist, which doesn't quite reach the depth achieved by Rocky in the KGF.
'Agra' bravely confronts audiences with uncomfortable truths, pushing boundaries, and challenging societal norms.
