Anora continues Sean Baker’s winning streak of character-focused, well-written and pivotal movies.
Though Juror #2 is not the most memorable effort from Clint Eastwood, it is a solid entry into his filmography.
The performances in Queer are transformative, the cinematography is consistently stunning and the exploration of its poignant themes is second to none.
We Live in Time beautifully tells its story through the use of a fantastic non-linear narrative, emotion-fueled performances and thorough theme exploration.
A whirlwind of insane ideas, admirable creativity and complex themes, Megalopolis is bound to divide audiences due to tackling too much.
Alien: Romulus is a dread-inducing, tense and scary space horror with excellent performances, a concise story and tremendous use of practical effects.Â
Borderlands is crippled by cringe-worthy dialogue, a weak and under-explored storyline, underdeveloped annoying characters with no chemistry and a lack of intensity when it comes to the action.
Twisters entertains audiences with jaw-dropping action set pieces, a chemistry-induced budding romance, high stakes and toe-tapping country music.
Longlegs is an ominous, dread inducing flick helmed by exceptional lead performances and a unique visual style.
With sharp dialogue, laugh out loud black comedy and a lot of themes and ideas to chew on (perhaps too many), Kinds of Kindness is a bold, divisive character study that will be commended by most, but not loved by all.Â