Blessy’s Aadujeevitham is hardly inventive, or imaginative, and often lacks the vigor it needed to be the survival thriller it aspires to be.
The intentions of the makers of Ae Watan Mere Watan are undoubtedly honest but how the film has been shaped, it is not memorable at all, and that undermines all the efforts of the individuals who have contributed to its making.
Whispers Of Fire & Water provides a fresh and original evocation where the directorial control stresses the quotidian aspect and placid texture underscoring the turmoil of the characters’ struggle without resorting to exegesis.
Aattam provides subdued moments with meaningful dialogue that is sincere and nuanced leaving a lasting impact and resonating with the viewer's minds long after the credits roll.
To Kill a Tiger is imbued with a sharp sense of sympathy and portrayed in way that stirs our conscience and emotionally connects us with the members of a family who have been treated unfairly in one of the world's largest democracies.
Damsel suffers immensely from its conventionality and lack of any significant exploration of its characters, any surprises in its storylines, or any notable thematic study.
Laapataa Ladies weaves themes of tradition and modernity with an acumen illustrating the strong sense of cultural identity that has an emotional afterglow.
All India Rank delves into the themes of the complexities of family dynamics, societal pressure, and the quest for self-discovery with a gracefulness that makes this coming-of-age tale relatable to a large extent.
Dune: Part Two surpasses even the highest expectations, establishing itself as an unquestionable technical masterpiece of blockbuster filmmaking.
Manjummel Boys is a technically well-made film that cleverly captures the cinematic sensibilities of the audience.